Another Look at Odysseus #3

This is the third instalment of groups of 3 poems selected from my 2010 sequence of poems which takes Homer’s The Odyssey as its starting point. The full sequence of 22 poems first appeared in Hurt (Enitharmon Press). I have written about the development of the sequence in an earlier blog post here. The first 3 poems can be read here. The second three poems can be read here. In these next 3 poems, Penelope finds herself thinking about the island’s volcanic past and about the tourists who come to this modern version of Ithaca. What are they looking for? Odysseus has taken to reading Ibsen (of all writers) and questions his old attitudes to language, purpose, to the ‘things / laid open around him’. Telemachus, meanwhile, can only bitterly see reflections of himself in the island’s schoolchildren, even in the island’s desolate landscape.

from Essays in Island Logic

‘Same sea, same dangers waiting for him / As though he had got nowhere but older’ – W.S. Merwin – ‘Odysseus’

his wife watches a fragment of rock

where her husband

rakes black leaves from the blue water

she watches them ruddy their faces

off-comers holding their breath behind

the Paradise Hotel

words like appointment

second quarter cumulative results

becoming a strange language to them—

their longest meeting poolside at noon

where dolphin-like

they go ducking for silly-coloured stones

the stubbled father

resting one on his belly

floating

as youngsters splash to plunder it

folding up around the black

micro-aerated chunk of volcanic clinker

picked from the wall—

the eye of a shark

once punched well past the cruising height

of in-coming white jets

extruded at such extravagant pressures

superheated shot past

self-determination

the long wait paying off now time settles

to slower rhythms

it sidles

down through the clear blue water

he considers the uses of his mouth

sits down with one of those great writers

who managed to survive

nearer the Arctic Circle

who kept a scorpion under a glass

till he saw it visibly sickening

would fetch soft fruit

for it to sting

poison expelled it would be well again—

what has accumulated within him

over the years

he sees now as incoherence

as a submerged and unmapped ocean bed

invisible from the quayside

and the looked-for cure

to bring it into relation with language

though not mere eloquence this time

rather a purpose

more worthy than the need to persuade

than this blind

preservation of the healthy organism—

what must be loosed in his mouth

he thinks of these days

as some finer sense as stark contradiction

to his old occlusion

what must be loosened and laid open

to the multitude of things

laid open around him

more smile than sting

his son has a vision of the lava flows

after ten years

then ten more lost at sea

his son would sometimes catch him fretting

at the school’s new green security gate

watching each year-group

growing restive

fumbling with how to fulfil themselves

children

ignorant of how to work themselves

into their own lives—

like the island’s native rock

blackened and pocked as a fossil sponge

completely unworkable

so the art of sculpture never took root

where tarmac ribbons

cut across fields of lava

razor-edges murderous to shoe leather—

still boys free wheel off the road

at any hour of the day

to stand cooling

in the empty mouths of airless tunnels

no taller than themselves

where lava-flows boiled

each burrowing far beneath hardening crust

threads glowing huge and slug-like

undeflected heads down

single-mindedly

shouldering their way to the sea

Another Look at Odysseus #2

This is the second instalment of groups of 3 poems selected from my 2010 sequence of poems which takes Homer’s The Odyssey as its starting point. The full sequence of 22 poems first appeared in Hurt (Enitharmon Press). I have written about the development of the sequence in an earlier blog post here. The first 3 poems can be read here. In these next 3 poems, Odysseus considers Ithaca’s rise to fame – or notoriety – as a tourist destination, mirroring the decline in the kind of values to which he once aspired. The decommissioning of a lighthouse on the island reflects this – as does the plight of the now unemployed keeper of the lighthouse. Father and son often argue: Telemachus’ angry, cynical, frustrated searching for ‘definition’, versus his ageing father’s long-gestating, baffling, acceptance of ‘what is’.

from Essays in Island Logic

‘Same sea, same dangers waiting for him / As though he had got nowhere but older’ – W.S. Merwin – ‘Odysseus’

he considers the process of history

from his eyrie starting

awake to the increasing white cliffs

of tourist palaces

their long blue necklaces of pools

lessons in history in his morning glimpse

of black-rock coastline dragging itself

from the glittering ocean off-comers

come for—

a graph line of island population

first registering in rock-pool shallows

gathering to a barely visible invasion

of black-grit beaches

sudden

vertical lurching up the volcanic cliff-face

from which all the insular myths

have flowed—

the heroic defence of a once-chosen race

proud statues

of outstanding individualists

a glorious empire of ruins

and footholds explosive progress of suitors

and singles

sharks and shysters

piling their millions into breezeblock

apartments

lamps and leatherwear

cheques and beer and bermudas dropped

at twinkling nightfall

finding their way to washed-up dawn

he considers improvements on the island

hand-in-glove with mainland government

they automatise

the lighthouse

that has long set its foot

in basalt veins under Black Point

convert the lighthouse-keeper’s rooms

to holiday lets

as if we did not have enough

till the last keeper

is drunk all day on the marina wall

has visions

grows full of omens

the squabbling children

pelt him with crab shells and fish ends—

loitering for hours after nightfall

his quiet staring

into the rhythm of his usurped home

its appointment

flawless now the machinery pulses

and the human plays dumb—

as dough-bodied hermits

revert to submergence and silence

as he is driven

to and fro by the tide

striking out for borrowed shells

every gesture becoming more imprecise

every gesture

becoming obscured by the night

the ghostly

tongue-tied disenfranchised soul

his son rehearses one of their many arguments

petals! explodes the angry young man

stammering oath on oath

at what his own feet trample on

scarcely glorified seabed

nothing more than rock and sand

in the cold deeps

where light does not come

where life

is an afterthought if it’s anything at all—

such noisy convictions

that even earth’s imprisoned and incapable

it cannot choose

but rather balloons out at random

rupture! he cries

about which old men know fucking plenty!

innards extruded molten rock

earth of course in search of definition

gas and fire

mixed with the freeze of water

is all—

over and over this same mistake

this same spill spew going solid to pile

a homeland

its unforgiving soil

this scurf of life that sprawls across it

says his father

I know what you say but try to explain

purple petals

on my doorstep all summer long