This is the first instalment of groups of 3 poems selected from my 2010 sequence of poems which takes Homer’s The Odyssey as its starting point. The full sequence of 22 poems first appeared in Hurt (Enitharmon Press). I have written about the development of the sequence in an earlier blog post here. In these 3 poems, Odysseus, now an old man, walks the Ithacan landscape in search of an old grave stele he recalls as presenting an heroic image of a young fighting man, only to find the passage of time has changed his view of it. Meanwhile, Telemachus is still searching for opportunities to prove his own idealistic, militaristic, heroism in service to a clear-cut purpose (that he has yet to discover). Penelope dreams (again) of her own childhood, her husband appearing suddenly as an eagle, intent on marrying her, changing her life forever.
from Essays in Island Logic
‘Same sea, same dangers waiting for him / As though he had got nowhere but older’ – W.S. Merwin – ‘Odysseus’
he considers the passage of time
old man walking retirement
x
up the hillside below the pine belts
past centuries-old spilled
x
sarcophagi looking
to recover one particular grave stele—
this
x
sure as he can be
this one under a triangular pediment
the young man leaning back in bas relief
x
such a contemporary slouch
legs crossed at the ankles hips thrust out
in contemplation
x
a warrior’s helmet held at arm’s length
its long plume
x
like a lion’s tail
seeming about to respond to his ambitious
x
nature his searching
out the end of all complexity—
x
he sees now the boy’s had his forehead
chipped off
the kid is brainless and beautiful
x
about second century BC
marking the grave of a dead warrior
x
an old man all but forgotten
after dusk
x
walking retirement down the dark hillside
bringing it to the surf’s edge now
x
like a child
x
his son wakes and wanders round the house
stirring in the small of night
x
the boy raises himself to a gluey throat
fattened lips
x
feels his way
downstairs to the unlit kitchen
x
to be surprised by the winking of lights
like campfire signs
wasteful stand-bys burning
x
on the distant hillsides
of radio microwave fridge and oven—
x
leans into polished taps
knocks back glass after re-hydrating glass
x
dregs of last night’s beer
incline him to hear the muttering of troops
x
on the dark flanks of hills
x
the clank of billies scouring of blade edges
a vastness of purpose
drawing up the life he never possessed—
x
knows he would have been astute
clear-headed then
consulted through the terrific nights
x
by faithful generals
who’d hymn his black ferocity
x
his desire for the acid tests of dawn
that will never come
but the obscurities of blame
x
upstairs his father singing in his sheets
dull as new-born
x
his wife is restless in her sleep
a girl once again shepherding the flock
of twenty geese
x
like pets she lords it over them
a pack of baying dogs
x
showing pale against dark volcanic soil
waddling from the round pond
x
on her father’s farm
crowding to eat the grain she lends them
x
till eagle cruelty with steely talons
sweeps out of a sky
apparently twenty years deep—
x
feathers
explosive as when white cherry blossom
is ripped by the wind
x
a blur of wing white/black failing
x
she screams wrestling to beat
the bird off in vain
her flock a shredded bloodied mattress—
x
imperious eagle on the rooftree
x
tilting its eye to ocean distance
into blue ocean
it’s me your husband come to set you free
x
her sphere of influence diminished
twenty-fold
x
but continues to be grateful
touching heaviness in her right breast
cannot recall
x
how many times she has dreamed this
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