#WADOD – Day 26: March 26th 2019

Works and Days of Division – 29 poems by Martyn Crucefix

Drawing on two disparate sources, this sequence of mongrel-bred poems has been written to respond to the historical moment in this most disunited kingdom. Hesiod’s Works and Days – probably the oldest poem in the Western canon – is a poem driven by a dispute between brothers. The so-called vacana poems originate in the bhakti religious protest movements in 10-12th century India. Through plain language, repetition and refrain, they offer praise to the god, Siva, though they also express personal anger, puzzlement, even despair. Dear reader – if you like what you find here, please share the poems as widely as you can (no copyright restrictions). Or follow this blog for future postings. Bridges need building.

Map-of-Howton-Cumbria-001

 

Tuesday 26.03.2019

‘one of the sounds you imagine’

 

one of the sounds you imagine is the boatman calling

this is Howtown— Howtown

the boatman calls as the note of the engine drops

 

and this is where I’d have you disembark

(for a while you lend yourself to me as if there were no difference)

 

and I imagine you turning back on yourself

along the lake’s edge in your boots of course you move easily

southwards back towards the sun’s post meridian

 

to the south retracing on foot the watery way

you have just come

along well-marked ways like little religious stations

 

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#WADOD – Day 24: March 24th 2019

Works and Days of Division – 29 poems by Martyn Crucefix

Drawing on two disparate sources, this sequence of mongrel-bred poems has been written to respond to the historical moment in this most disunited kingdom. Hesiod’s Works and Days – probably the oldest poem in the Western canon – is a poem driven by a dispute between brothers. The so-called vacana poems originate in the bhakti religious protest movements in 10-12th century India. Through plain language, repetition and refrain, they offer praise to the god, Siva, though they also express personal anger, puzzlement, even despair. Dear reader – if you like what you find here, please share the poems as widely as you can (no copyright restrictions). Or follow this blog for future postings. Bridges need building.

IMG_1768 #2

 

Sunday 24.03.2019

‘and the power of kinship’

 

and the power of kinship in crossing differences

I mean the power of likeness

 

means if I ask you to imagine late March you will—

or late April’s sunshine and showers

 

then you will lay down difference

and take it up to imagine your way towards it

 

to imagine taking me down to the water’s edge

down to Ullswater’s southern shore

 

finding—to begin with—the rickety wooden dock

where it strikes out into the lake

 

where the passenger steam boats still pull in

just a matter of days after the great storm

 

that swept away all the perimeter bridges

just a matter of hours before the next storm

 

what I’m saying is storm is our only certainty

 

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#WADOD – Day 9: March 9th 2019

Works and Days of Division – 29 poems by Martyn Crucefix

Drawing on two disparate sources, this sequence of mongrel-bred poems has been written to respond to the historical moment in this most disunited kingdom. Hesiod’s Works and Days – probably the oldest poem in the Western canon – is a poem driven by a dispute between brothers. The so-called vacana poems originate in the bhakti religious protest movements in 10-12th century India. Through plain language, repetition and refrain, they offer praise to the god, Siva, though they also express personal anger, puzzlement, even despair. Dear reader – if you like what you find here, please share the poems as widely as you can (no copyright restrictions). Or follow this blog for future postings. Bridges need building.
SPEEDING

Saturday 9.03.2019

‘such great lungfuls of men and women’

 

such great lungfuls of men and women bellowing

at the disputed steering wheel

 

or shrieking at restaurant tables

threadbare speeches to another inattentive class

to myself alone

whether I consider it to the point or not

 

bright days devoured in the work of composition

and adjustment

then devoured in composition

 

the intensity of the empathetic efforts made

whatever metric we use

the needle stuttering into the black and red zones

whether I care whether it is successful or not

 

whether it appears misdirected or not

whether it is for all time or not

it’s not nor can it ever be for all time and I know it—

 

all the bridges down

 

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